Scary Prussian Art

Plath family heirloom c. 1881, 24" wide. Click to enlarge.

Otto Plath left Prussia before he was old enough to serve in the Imperial German army, but his uncle Emil Adolph Plath (b. 1859) had served, and as a parting gift the army gave Emil this personalized lithograph with three uniformed Emils posed in three phases of his service. 

Each pose has an identical face, cut from duplicate photographs of Emil, and pasted where his face ought to be. Headgear was hand-painted on. The leftmost figure's original face peeled or tore away and was restored but without headgear.

Cross the popular American prints by Currier & Ives with the typically heroic paintings of Prussian battle scenes and you get this official military lithograph, c.1881, a fantasia abristle with weapons and heraldry. [1] Crown Prince Frederick, Emperor Wilhelm I, and another noble occupy the lunettes. The white ribbon at bottom center says, "A reminder [memento] of my service." At the very bottom, barely visible in this photo, is the name Emil Plath. Descendant Rod Pope told me Great-Grandfather Emil had served with the palace guards and the background aligns with that.

In 1885 Emil Plath, honorably discharged, with his parents and sister Maria left an increasingly militant Imperial Germany for the U.S. [2] Emil married Martha Ebert in 1889 and they were the first whites to settle in Maza, North Dakota, where much of the Plath family story unfolded. Otto's mother Ernestine and his five siblings traveled from Prussia to Maza in 1901. [3] Otto's father Theodor, already in the States and traveling for work, had told Ernestine to lie to immigration officials that Emil was her husband. She did. [4]

A blacksmith, the family profession, Emil died in in 1922, leaving his customized work of art to his descendants who hid it during World War II. It was rescued from a closet where it spent the past quarter-century.

This family photo of Emil Plath in Maza, at right, was probably taken around 1920 when he sold his smithy and moved to Oregon. Old newspapers say his business had survived a tornado, blizzards, and the drought years that plagued Maza's short life as a North Dakota boomtown. Joyriders also stole Emil's car and drove it to Minnesota. He got it back.

There's a lifetime of hard work in Emil's face. Does he look at all like his nephew Otto Plath?

[1] The only similar German military portrait lithograph I found appears on eBay and is precisely dated "1881."

[2] Ship's manifest, heritage.statueofliberty.org, 1885, ship: Belquenland; passengers John Plath, 60, Carolina Plath, 60, Emil, 25, Maria, 17; all from Budsin; destination Chicago.

[3] Hadler, Mabel Lyles Jacques, North Dakota: Towner [County] Genealogies, 1700-1900, Image 711, calls Emil Plath "first resident of Maza." "Maza" is a Lakota word meaning "metal" or "iron." A Lakota named Chante Maza ("iron heart") operated a general store near the site of Maza, ND.

[4] Ship's manifest at right, 1901.

Thanks to Rod Pope for sharing the family photos and history.

Sylvia Plath's Black Relatives: Atlantic City Waiter

Century Association, 7 West 43rd St., New York

Sylvia Plath's black great-uncle Christopher Nicholson once worked in an exclusive arts-and-letters men's club, the Century Association in Manhattan, a palazzo with a Gilded-Age interior stuffed with books. Members ate and drank there, could stay there, tended by a staff that today numbers 42: cooks, "food runners," housekeepers, bookkeepers. 

From 1896 to 1934 "Negro" Elijah Hicks was the club's "hallman" and greeter, so highly esteemed that The New York Times published a tribute and seven "Centurions," all white, went to Harlem for his funeral.

Century Association renovation, 2000s

Christopher Nicholson claimed to be working at the Century in 1942 (hiring date and position unknown). Its members and guests, some famous, weren't always white: Ralph Ellison liked the club's martinis. I hope Nicholson borrowed and read books. In 1904, age 21, Nicholson had worked as a hallboy at -- believe it -- the Brookline, Massachusetts country club where Sylvia's grandfather Frank Schober was maitre d' in the 1940s and '50s.

It is little remarked that writer Sylvia Plath sprang from professional waiters and deli owners and deli workers, her own father having sold groceries in New York and lopped sausages in San Francisco. Did Sylvia know about her great-uncle Christopher? He was uncle to Sylvia's mother Aurelia. We don't know if Aurelia met him, but from the 1920s on Aurelia showed mild yet definite affinities for integrated YWCA camps and the brotherhood of man. By contrast, Sylvia in The Bell Jar described a black server so insolent that Esther Greenwood just had to kick him.

After Brookline, Nicholson worked his way up to waiting tables at Boston's elegant Hotel Touraine. Meanwhile Boston hotels were replacing black waiters with Europeans, such as Plath relatives the Schobers (Frank and Henry) and a Greenwood (Ernest), all Austrians and waiters at the Hotel Thorndike nearby.

In 1906 Nicholson married Austrian-born Anna Greenwood, a domestic. This gave her parents, her six siblings, and the Schobers a black in-law and his own family a white one. The Nicholsons soon left Boston for Philadelphia. After the 1910 strike and race riot the Nicholsons, now with children, moved to Atlantic City. Its tourists liked seeing black waiters and service workers, it made them feel good, so the work was steady.

Yet the jobs had their tensions. Poet Countee Cullen worked summers as a busboy in Atlantic City and in his first book (Color, 1925), published:

Of his busboy work Cullen wrote that it was "just a job, but it gives me time to study some of the vermin of the race, and since three-fourths of every race is vermin, I am in with the masses."

Multiplying the Nicholsons' difficulties was their legal but uncommon interracial marriage. Outside of New England their marriage was a crime. Confusion and conflict pervade the public records: Their son's November 1907 birth record calls both parents "mulatto." The 1910 federal census, taken at a black-owned boarding house, says the Nicholsons and their children are white. The 1915 New Jersey census says Anna is white and Christopher and their four kids are black.

The deaths, from influenza, of all four Nicholson children in October 1918 must have further strained the marriage. Shock, mourning, or going on strike with fellow African-Americans in 1919 cost Nicholson his waiter job. His brother Sylvester then joined the household and in 1920 both worked at Atlantic City's gasworks.

In 1925 Christopher was once again an Atlantic City waiter. It's my guess that around then Anna began an affair with a white British ironworker. It was serious enough that Christopher packed up and moved, most likely to New York. Anna stayed in Atlantic City, cleaning houses, until 1929, when the ironworker got U.S. citizenship, and they married in Manhattan in 1932.

Anna on her second-marriage document gives her maiden name, Greenwood, and her birthplace not as Austria but as Scranton, Pennsylvania. The couple moved to England. Christopher Nicholson's job at the Century did not last; Association archivist Brynn White found a list of staff dated 1946 and Nicholson isn't on it. Nicholson roomed in Harlem and never remarried because it seems he and Anna never divorced. City records indicate that Nicholson died in Manhattan in October 1956. [1] He was 73.

[1] New York, New York, U.S., Death Index, 1949-1965, p. 266.

In The Polish Town

My first trip overseas was to Poland and I'd move there except my house is Polish already, with a flowering meadow across the lane, etc. Finding Sylvia Plath's grandmother's Polish home address I Google-Mapped it. Ernestine Kottke Plath died in an Oregon mental hospital in 1919 but her childhood home still stands: 12, Strozewo (a village).

I saw the address in Ernestine Plath's Oregon State Hospital record.

Just six miles away is a Plath landmark town, under German rule spelled "Budsin," today in Polish spelled "Budzyn," population 2,000. It's Plath's grandfather's hometown. Sylvia called it a "manic-depressive hamlet in the black heart of Prussia." Theodor Plath married local girl Ernestine in 1882 and settled there. I think Ernestine gave birth to Otto in Grabowo because she had relatives there, but Otto grew up in Budsin, and tired of maps I wanted to see the place.

"Strolling" through the older part of Budsin I saw where the Plaths might have raised their children, not quite to their adulthood. The year Otto was born the German Empire's increasingly menacing army started cleansing the empire of Russians, Poles, and Jews. Masses of ethnic Germans like the Plaths were already leaving for the U.S., partly to escape conscription. Otto was 15 when he went to the U.S. His father, and then his mother and five siblings, ages 4 to 13, left Prussia the following year, 1901.

Traditional Polish houses are stone covered in paintable stucco. I learned Gmin means local government, and this is Budzyn's City Hall at the center of town.

Poles put flowers wherever they feel like it. It's a celebratory thing.

For the address of the Plath house in Budsin I'd need church or civil records not readily accessible. But I like Poland for itself and felt at home there. My mother's parents were Polish immigrants. They died when I was very small but I remember the Polishness of their house and ours. I hope you too grew up amid abundant cabbage-rose decor.

Ernestine Plath's Extreme Mental Illness

Sylvia Plath's mentally ill grandmother, Ernestine Plath, was much sicker than we ever knew, a mental hospital veteran when her husband signed her into the Oregon State Hospital in autumn 1916 (see her photo in last week's post). Ernestine was then 62, diagnosed with senile dementia, and died in the hospital in 1919, and I have a copy of her hospital files including the chilling photo with the black eye.

Ready to post this week about domestic violence, I took time to consult other sources and learned:

1)  That photo probably wasn't from the day of intake. Although it's undated I'd assumed that, and thought Ernestine's husband or sons had beaten her. Hospital historian Jessica Cole told me a photographer came to the hospital every few months, and the staff lined up new patients for mugshots one after another: efficient. The black eye -- terrible in any case -- then might have come from anywhere.

2) Ernestine had lived in North Dakota from 1902 to 1905 when she was admitted to the state insane asylum at Jamestown, N.D., staying until 1910. I wanted proof of a five-year stay. I found it in the 1910 federal census listing the inmates of the Jamestown women's ward. All inmates gave their first and last names while Ernestine gave the name "Mrs. Antonio Plath." That's why she hadn't shown up in searches of that census. There was no Antonio Plath in the family. Yet Ernestine's surname and demographics matched her husband's answers to the Oregon hospital's questionnaire:

Patient ever insane before? "Yes, one time five year in Jamestown N. Dakota." First symptoms: "1905, head-ache, sleep and appetite loss, and anxious an [sic] persecution."

The Oregon state hospital could not get Ernestine's Jamestown records, and we don't have them, so we've had the illusion that Ernestine's second, documented, hospitalization was the first one, the only one, or the really big one, and that her illness was mostly from aging when it was cyclic and chronic.

Although Sylvia wasn't told about her paternal grandmother's illness, she was terrified of becoming chronically mentally ill and a charity case in state mental hospitals.

Ernestine Plath, Sylvia's Grandmother, Oregon State Hospital

Sylvia Plath's paternal grandmother Ernestine Plath, photograph c. 1916 from her file at the Oregon State Hospital (formerly "Insane Asylum"). Read about her fate here.

This is the second known photo of Ernestine Plath. The first known photo, c. 1907, I found and published in 2022.

Sylvia Plath's Black Relatives: More

The Nicholsons rented 116R North New Jersey Ave., Atlantic City, in 1915. The storefront and rear extension are additions; more typical houses c. 1910 sit to its right and left. [1]

Their marriage lasted 20 years -- from the wedding in Boston in 1906 to sometime after 1925, when the husband, a waiter, was last listed in the Atlantic City directory. In 1928 the wife was still using his surname, "Nicholson" -- in various papers rendered as "Nichols," "Nicholason," and "Nicholas." Husband Christopher J. Nicholson also gave his birth year as 1881, 1882, and 1883, making his later years yet harder to trace.

Something led Nicholson to leave his wife, nee Anna Greenwood, on her own in Atlantic City -- where their four children had died in 1918, of influenza, all four names carved on a single gravestone. Perhaps he sought a better job or a marital separation. Anna remained in Atlantic City, working as a domestic.

Anna was Sylvia Plath's blood relative, the Viennese great-aunt who had married a black American. I have learned that more than any other U.S. city, fin de siecle Boston saw unskilled white immigrant females like Anna marry African-American men employed in skilled occupations. For young women from Europe not yet seized by the very American horror at "miscegenation" (word coined in 1863) it was a step up.

Christopher Nicholson's 1942 draft registration card -- the next obtainable document -- shows him in New York City, working downtown and lodging in Harlem. Anna, under her maiden name, had remarried in New York in 1932, to a white British ironworker formerly employed in Atlantic City. They'd moved to England.

U.S. federal census takers missed Nicholson in both 1930 and 1940. Nicholson filed for Social Security benefits on 23 August 1948, giving what is probably his real birthday: 21 August 1883. [2] The 1950 federal census shows him retired, at the same address as in 1942; his marital status is "separated." I found no divorce in New York legal records, only a civil suit Nicholson filed in the Bronx, in 1953, against one Dominick DeLillo, who, it seems, was an accountant.

Nicholson's niece Aurelia Plath never mentioned any Nicholsons in letters or papers we have access to.

The New York City death record #21385 says Nicholson died in Manhattan on 9 October 1956. He was buried on 31 October in Rosehill-Rosedale Cemetery in Linden, New Jersey. The cemetery confirmed the burial date and that his grave has no marker.

It weighed on me that I had told Anna's story and not Christopher's. Now I have told all I know.

[1] This is the only Nicholson family address still standing. The 1915 New Jersey census shows a racially integrated neighborhood.

[2] Nicholson's 1918 draft registration card gives his birthday, falsely, as "4 July 1881." It was common for men to claim to the draft board that they were older. Otto Plath's brother did the same.

Top-Rated Plath Research Posts of 2023

Studious me with manual typewriter, junior year

Most Popular

Diary of an Aurelia Plath Researcher (May 16) Thank you for your interest in what I'd tell you privately.

Aurelia and Sylvia Plath Had Black Cousins (November 14) The most emotional, heart-pounding research I've ever done.

How Did Aurelia Plath Control and Manipulate Sylvia? (July 18) They sadly underestimated Sylvia.

Books About Sylvia Plath That I Hate to Love (July 11) This was fun to write.

Top Research Posts

Sylvia Plath's Hungarian Roots (September 26) Genealogy proves Sylvia Plath was not a Jew.

Aurelia and Sylvia Plath Had Black Cousins (November 14) An inconvenient truth.

Diary of an Aurelia Plath Researcher (May 16) First interview with one of Aurelia's former students.

Hype: The Sales Numbers of Ariel (February 7) Neglected business papers shatter a 50-year-old fantasy.

Personal Favorites

Aurelia Goes to a Poetry Reading (June 27) A Cape Cod archivist's help plus research revealed an Aurelia facet totally new.

Prussia: What Does It Mean? (September 19) I am proud of having condensed thick dusty histories of Prussia into an easy "Prussia for Plath fans" post.

There were 48 weekly posts in 2023, my tenth year of posting. It's having the effect I wanted. Thank you for being so interested in Sylvia Plath's world that you want to know more. There is more.

       -Your researcher,

          Catherine

The Verger's Bastard

Train station at Budzyn, point of departure for three generations of ambitious Plaths.

The young couple whose parents wouldn't consent to their marriage could and did produce what was then called a bastard, shaming both sets of parents into giving the consent required by law.

The would-be bride and groom were not kids. They were both 26. The trouble was that she was Catholic and he was Lutheran.

Baby Theodor -- Sylvia Plath's future grandfather -- was ten months old when his parents Johann and Karoline Plath were at last married. The pious pair then argued about raising their children in this faith or that.

Station still stands at Budzyn (now in Poland).

Theodor's birth record in the town of Budzyn, Prussia, November 5, 1851, shows his mother's name, Karoline Kaszmarek, but in the space for his father's name is "ignatus" (unknown). Oddly, the record then shows the father's occupation: verger.

A verger was a layman hired to clean and maintain a church and help the priest or minister as a messenger and greeter. For public processions, vergers took up a stick or wand called a virge and cleared a path through the crowds. Thus our phrase "on the verge" -- the leading edge.

A verger didn't have to be literate -- Johann Plath was not. But he respected education or the educated. Maybe Johann wished he could have been a minister, and verger was as close as he could get.

When Johann, emigrant to the U.S., heard that Theodor's teenage son was super-smart, Johann generously paid for young Otto Plath to come to the U.S. and for Otto's tuition for Lutheran prep school and college, on the condition that Otto become -- a minister.

But when Otto told his grandfather he would rather teach than be a minister, Johann crossed Otto's name out of the family bible, an act of Christian righteousness sowing alienation and Otto's future bitter atheism.

It was meant to be a memorable scene, and Otto long remembered and told about that one selfish act.

"argued about raising their children": Clark, Red Comet, 6. "A verger didn't have to be literate: Johann Plath was not": U.S. Census, Wisconsin, 1910. See also Somerset Maugham's short story "The Verger" (1936). "bitter atheism," The Bell Jar. Spelled "Budsin" in Prussia, the Plaths' hometown is now Budzyn, Poland.

Sylvia Plath's Hungarian Roots

Sylvia Plath's DNA test results would break the Internet, but we can know right now that on her mother's side Sylvia was part Hungarian. Her maternal great-great grandfather Franziskus Paier or Pajer, pronounced "pyre," was born in Pest in 1822. In Austria he Germanized his name to Franz Bayer ("byer").

Sylvia grew up with her maternal grandmother, "Grammy," whose mother Barbara was Franz Bayer's daughter. Sylvia noted in her diary for 1945 that "Great-Grammy died," so she knew of Barbara, but mentioned her again only in the line "Mother, grandmother, great-grandmother / Reach hag hands to haul me in" ("All the Dead Dears"). Sylvia's chief interest in things Hungarian was a brief acquaintance with a young man named Attila, written up in her journal as exotically attractive.

In case you cannot view the family tree pictured below (click to enlarge), it centers on Franz Bayer, the Hungarian ancestor. Franz's parents were Georg Pajer and Elisabeth Buzar of Pest, Hungary.

Parish records show that Franz's paternal and maternal grandparents were married and baptized children in Pest, so Franz was at least of the third generation. Franz married Vienna-born Josepha Magdalena Schmidt on March 5, 1848, in Vienna. Eight days later a violent revolution erupted exactly there.

Click to enlarge. Tree from FamilySearch.org, Church of Jesus Christ of Latter-Day Saints.

Their daughter Barbara Josefa Bayer, Sylvia's great-grandmother, was 12 and her sister Anna Amalia 7 when they were orphaned in 1866. So it is true that Sylvia's great-grandmother was an orphan, as Plath family lore said. Because the name Barbara Bayer was not changed, Barbara probably was sent to a relative or an orphanage.

None of this was unusual. Men went where there were jobs, changed their names to help assimilate. Life expectancy in Austria was 40, so Vienna had thousands of orphans.

Regarding Sylvia Plath's maternal ancestry, all births, weddings and burials from the 1700s into the 1900s were Roman Catholic, and all births were to married couples. Like the elusive "Native American ancestor" that families in the Americas like to claim, the lone Jew or "gypsy ancestress" in European families is mostly a figment, conjured when it is advantageous to do so, and I think Plath in her poem "Daddy" was doing that.

Barbara Bayer at 18 married Matthias Grunwald in Vienna. Between 1902 and 1908 Matthias and Barbara and their seven grown children all left Vienna for the U.S. and changed the family name to Greenwood.

Through their father, Sylvia and her brother were more Polish than they were Hungarian, and above all their heritage was German and Austrian. Pressured in school to become "all-American," neither Sylvia nor her mother Aurelia mentioned in writing their slender Hungarian root.

The 1950 Censu$ and the Panic of '52

Recently made public, t

Sylvia's high-school yearbook photo, 1950

he 1950 U.S. census tells us more about the Plath household than I thought, slightly altering the overall picture.

Head of household Aurelia Plath, "associate professor" (although her title was assistant professor) stated she worked 25 hours a week, 36 weeks a year, for an annual income of $3,200.

Sylvia and Warren Plath, teenagers, were counted as students. Their live-in "Grampy," Frank Schober, Sr., 69, worked 48 hours a week at the Brookline Country Club, earning $3000 a year.

Those were modest salaries, but in 2023 terms, the five-member Plath household in 1950 earned a tidy $75,000. Yet the two breadwinners seem to have kept their money separate, or nearly. When Grampy retired around November 1952, Aurelia went into crisis mode and took on weekend jobs tutoring and babysitting (Sylvia to Aurelia, Nov. 5 and 11, 1952). Sylvia wrote Warren in May 1953 that financially their mother "was really down to rock bottom" and despite poor health intended to teach summer school. Sylvia wanted to write anything at all that might help her pay her own way and felt increasingly depressed that summer when she produced nothing.

In the 1950 census "Grammy," Aurelia's mother and Frank's wife, is not listed although she lived until 1956. In a much later letter (Jan. 16, 1960) Sylvia mentions Aurelia and Aurelia's sister, Aunt Dot, having clashed over "Grampy's money," suggesting that Grampy and his wife had saved some or all of his earnings for retirement: enough for their daughters to fight over.

The Beaches at Winthrop

"At Winthrop Beach," 1951

"Point Shirley and Beach," 1936

"Point Shirley and Deer Island", 1937

"After the Blow," March 8, 1931

"The Boulevard," 1907

 

The Schobers moved to Winthrop, Mass., in 1918, the Plaths in 1936. Wanting to see the Winthrop they knew and lived in and Sylvia wrote about, I sorted on eBay through postcards, focusing on waterfront scenes. Those from 1905-11 feature resort hotels and the Boulevard promenade atop the seawall. A plethora of cards are postmarked summer 1907, just before the stock market plunged by 50 percent ("The Panic of 1907"). Several postcards, such as the 1931 example, picture disastrous storm damage: flooding, a shattered boulevard, winter waves. I purchased the hand-colored postcard above. It gives me context for the time the Plaths moved to Winthrop, what it looked like then.

Winthrop goes out of style in the late teens and 1920s after people buy cars and drive to vacation places beyond the reach of trains. Yet there were vacationers enough that the Schobers in 1932 and 1933 rented their Shirley Street house and stayed with Otto and Aurelia in Jamaica Plain. Aurelia, Sylvia, and Warren spent the dreadfully hot summer of 1936 in Winthrop with the Schobers, and the Plaths bought their Winthrop house on Johnson Avenue that fall. 

Sylvia's uncle Frank Schober Jr. built his own sailboat, rather like the young men on the 1937 postcard, and in 1940 Otto Plath bought it and that summer went fishing in the bay, daily catching mackerel he insisted be served for supper.

Bringing Up Baby Sylvia

October 1932 issue

“I was totally imbued with the desire to be a good mother,” said Aurelia Plath, and a pink satin Baby Book now in the Sylvia Plath archives at the Lilly Library shows full-time new mother Aurelia recording joyfully on its pages her infant Sylvia's every gain.

 

Baby Books emerge in the U.S. around 1880. They require literacy and leisure and parents who expected children to grow up; in 1900, that’s three children out of four. Mass-produced baby books reached peak popularity around the time Sylvia was born in 1932. Among the mothers of the twenties and thirties faithfully tracking in writing their children’s progress was Rose Kennedy, inspired by The Care and Feeding of Children (1894), a bestseller by a New York hospital pediatrician who made patient “charts” mandatory after seeing nurses keeping them.

 

Intensified scientific interest in child rearing—the phrase “child care” first appears in 1915—designated “early childhood” the most critical phase. Writing in baby books (kept almost exclusively for firstborns!) made new middle-class mothers feel scientific but anxious, and therefore willing to pay for expert advice. Aurelia subscribed before Sylvia’s birth to Parents’ magazine.

 

Most fatefully for Sylvia, Parents’ in the 1930s mainstreamed in the U.S. the quite novel idea that the goal of education was for children to be happy. Aurelia, like her contemporaries, was raised “to be good,” meaning “to bow to authority.” “Happiness” was incidental; the root of “happy” means “good fortune,” and no parent can guarantee happiness. That churchmouse Aurelia was an ultra-modern mother, raising her children “to be happy” starting with feedings on demand and continuing along the lines set out by Friedrich Froebel, founder of “kindergarten.” He said children should have creative toys, sing and read and hear stories, be reasoned with, and follow their own interests.

A modern Baby Book, 2023 ($27).

 

But it seems that after the kindergarten stage Aurelia imposed happiness as a household norm. Sylvia learned to hate it when Aurelia kept repeating that she only wanted her children to be happy.

 

Sylvia Plath as a mother consulted the manual Baby and Child Care (1946), which moved the child-rearing goalposts: It said the goal was to make children feel loved. Sylvia was rarely happy and did not feel loved, and Aurelia, “good” by any lights but her daughter’s, met the same fate.

 

[1] Founded in 1922, Parents ceased publishing its print edition in 2022.

Otto Plath Was Born In a Violent Year

"Prussian Expulsion" ("Rugi pruskie") by Wojciech Kossak

Otto Plath was born in a violent year in Prussia: 1885. If all of Otto's life he objected to military service and so much hated the sight of uniforms he forbade his daughter Sylvia to join the Girl Scouts, maybe it’s because he saw Prussian soldiers forcing out ethnic Poles, mostly small farmers and migrant laborers. From 1885 to 1890 Prussia with threats and violence herded 30,000 Poles across the border into Russia and stationed guards there to keep them out. 

Otto grew up in the province of Posen, on land Prussia had taken from Poland and largely Polish-speaking. So although his parents were German he learned Polish and was part Polish through his paternal grandmother. Otto's parents were not farmers or migrants but town people, so Otto’s immediate family was safe, although the world around them rocked. Without its migrant farm laborers, Prussia was left short of food. Prussian garrisons by the dozen had town residents seeing soldiers every day and hating them. You can imagine how the hostilities affected the kids.

Otto’s Polish grandmother and German grandfather left Prussia for America in 1885. Persecution and demonization of Poles and Jews, a culture war Prime Minister Otto von Bismarck began in 1872, is where "Polack" jokes and slurs came from. Purges such as the Expulsion followed, practice for later expulsions that were photographed. The painting above (1909) is one of an Expulsion series.

Otto had been born in Grabowo, but grew up in Budsin. His papers say this, and all his siblings were born in Budsin. An 1880s map, showing the town where Otto searched hayfields for bees he could take home and keep in cigar boxes, shows a nearby Forest Durowo. The forest is still there. I wondered if Otto watched birds and insects there and learned to respect them as he could never respect things military.

Otto Plath emigrated to the U.S. in 1900.

Who?

Meet Sylvia Plath's grandfather Theodor, master-blacksmith/inventor, and his wife Ernestine, grandmother who died in the Oregon State Hospital for the Insane. These are Otto Plath's parents, from Budsin, Prussia (today, Poland). Otto got to America the year before they did.

The props of fancy chair plus classical column mean the portrait was taken in the U.S.A. where bad taste reigns in such things. I mean, our four-year-olds get studio-photographed holding golden plastic "4"s. Already approaching age 50 when Mr. and Mrs. Plath arrived in 1901, they are likely closer to 60 in this photo. The narrow necktie suggests it's after 1905. Ernestine was in a North Dakota mental hospital from 1905 to at least November 1910, so it was taken between then and October 1916 when Theodor signed her into the Oregon state mental hospital, where she came to a tragic end.

Embossed in the corner is the photographer's name, hard to read. If it says "Hale" it was Herbert A. Hale, longtime Portland, Oregon photographer, turn of the century to 1917. Enlargement reveals beneath the logo small roman letters that look like "ego" or "eco" and might say "Oregon."

I think there is something of Otto Plath in the looks and stance of both parents. The photo, scanned into a public family-tree gallery, is the first I've seen of either parent. Ernestine died in Salem, Oregon, the tin of her ashes finally claimed by a descendant in 2020; Theodor, buried in Oregon City, had a pauper's grave with no stone. But, very good news: In 2021 a seeker located and marked his grave.

Otto Plath's Family Matrix

Ship's manifest listing immigrants Ernestine Plath and five of her six children, 1901

Here's rare information about Sylvia Plath's extended family on her father Otto's side. Otto Plath was the eldest of six children born to Ernestine and Theodor Plath, residents in the zone of  Prussia called Posen, ethnic Polish territory ruled by the German Empire from 1871 to 1919, when it became part of Poland. Otto had five siblings. From immigration papers, the U.S. Census, city directories, draft cards and other official documents we can learn about their lives. Of all her aunts and uncles, Sylvia met only her Aunt Frieda, briefly, on a 1959 trip to California. Here is the family:

 

Otto Emil Plath: April 13, 1885-Nov. 5, 1940. Ships' manifests show 15-year-old apprentice shoemaker/bootmaker Otto Plath, traveling in steerage, arriving in the U.S. on September 9, 1900, ahead of his father Theodor, a blacksmith who arrived in March 1901. In December 1901, through Canada, came Otto's mother Ernestine with Otto's five younger siblings, ages 3 to 13. They lived on an uncle's North Dakota homestead while Otto lived with Wisconsin relatives. In the 1905 Wisconsin state census, Otto is a boarder in Watertown, WI. Otto marries for the first time in Washington State in 1912. In 1920's federal census, Otto is a boarder in Berkeley, CA. In 1930, Otto, a boarder in Boston, for some reason shaved five years off his age. Otto Plath married Aurelia Schober in Carson City, Nevada, on January 4, 1932. Sylvia was born October 27, 1932. Otto died November 5, 1940, age 55, on the 22nd anniversary of his father Theodor's death.

 

Paul Plath: Dec. 20, 1886-Sept. 24, 1933. Paul in the 1910 census is named Paul "Platt" and is farming in Oregon with his father Theodor Platt (who'd entered the U.S. as "Plath"). Paul's brother Max "Platt" is a "hired man" for their neighbors. Wife and mother Ernestine is not listed in their household in 1910, and neither are the two Plath daughters, Martha and Frieda. Paul "Plath" in 1920 is a laborer in Washington State, and in 1930 a laborer boarding in Portland, Oregon. Paul could not have been born in December 1888 as papers sometimes claim, because his brother Max was born in February 1889. Paul in 1933 married his widowed landlady, Christina, a Russian 10 years his senior. Paul died later that same year, 1933, of pneumonia.

 

Max Theodor Plath: Feb. 15, 1889-Dec. 21, 1953. Max Plath took after his father and was a homesteader and mechanic, then became an inspector at a lumber mill. He moved frequently, living in 1910 with his father in Harney, Oregon, then shared a house with his mother until she was hospitalized in 1916. In 1920 Max lived in Saddle Butte, Oregon; in 1926 in Portland, in the early 1930s in Salem, in 1936 in Eugene, in 1946 in Cottage Grove. Max married Bertie in 1917, then Harriet in Stevenson, Washington, in 1935. The 1930 U.S. census said Max had two children, born in 1928 and 1930.

 

Hugo Fredericks Plath: Dec. 6, 1890-Aug. 17, 1974. Hugo kept the surname "Platt." Around 1911 he visited Canada, it seems on business. His draft card, signed in June 1917, says he both lived and worked at Standard Auto Supply in San Francisco. On that card Hugo asks exemption from the draft, saying his mother and father are his dependents. Hugo enlisted anyway on July 29, 1918, and served until December 23, 1918. The longest-lived of the siblings -- 83 years -- Hugo dwelt mostly in and around Los Angeles, at one point giving his occupation as "carpenter."

 

Martha Bertha Plath Johnson: Feb. 21, 1893-April 8, 1961. Theodor Plath in 1901 sent his wife Ernestine and his five younger children directly from Europe to Maza, North Dakota. As Martha's father and brothers moved farther west, Martha seems to have stayed in Maza, and in 1910 at age 17 works as a "servant" for family there. At 19 Martha marries the town postmaster. She has two daughters, stays in Maza, and is buried, alongside her husband, near what is left of that town.

 

Frieda A. Plath Heinrichs: Mar. 15, 1896-Dec. 19, 1970. In the 1910 census, Frieda, age 13, is not living with her parents but rather is listed as "niece" of the Stapel family in Green Lake County, Wisconsin. Mrs. Stapel was Theodor Plath's sister. Frieda graduated from a Chicago nursing school. She visited her mother Ernestine in the Oregon state mental hospital in summer 1919; Ernestine died there September 28. In 1930 Frieda is a nurse in San Francisco, and by 1935 is married to physician Walter J. Heinrichs. They live in and around Los Angeles. In Letters Home, Aurelia S. Plath incorrectly gives Frieda Heinrichs' death date as 1966. California voter-registration rolls show both Walter and Frieda registered in 1966, but Frieda alone in 1968.

 

The seven Nix brothers in Sylvia Plath's children's book The It-Doesn't-Matter-Suit are named for her paternal relatives. The fictional seven are named Paul, Emil, Otto, Walter (the name of Sylvia's uncle by marriage), Hugo, Johann (the name of Sylvia's paternal great-grandfather), and the central character, Max. Written in 1959, the book was first published in 1996.

 

For sources or to make corrections, please contact me. Official papers and books aren't always right.

 

Theodor Plath lists his minor children on his naturalization papers, filed in North Dakota; Otto at age 22 is not a minor.