During her college years in the 1920s, The Boston Herald daily newspaper, relying on press releases from the student Press Club at Boston University's College of Practical Arts and Letters, mentioned Aurelia Schober more often than one might imagine. It was not unusual for students to have so many extracurricular interests. The surprise is that Aurelia had such a high profile.
1926, May 25, p. 31: "B.U. Writers' Club Elects Officers" -- Aurelia Schober, elected Writers' Club vice-president, was also "president of the college German Club, and is well known for her ability in dramatic work."
1927, February 3, p. 28: "B.U. German Club to Present Play" -- "Miss Aurelia Schober of Winthrop has been assigned the leading part of Strubel in Sudermann's play "Die Ferne Prinzessin," to be produced by the German Club of the Boston University College of Practical Arts and letters Friday night, in place of Miss Emmi Koster of Hamburg, Ger., who is ill." [In this one-act comedy, "Strubel," a male poet, declares his hopeless love for a princess to a male who is actually the princess in disguise.]
1927, May 23, p. 4: "Who's Who in B.U. Yearbook" -- Under "Senior Honors" bestowed by peers at the College of Practical Arts and Letters, Aurelia Schober ranked third in the category "Busiest," second in the category "Most Studious," and first in the category "Class Dictionary."
1928, May 25, p. 3: "Miss Schober to give B.U. Class Valedictory" -- ["Class" means College of Practical Arts and Letters, class of 1928.] Besides being valedictorian, Miss Schober "was editor-in-chief of the junior yearbook, and has served as president of the German Club, and as a member of the student government board, the English Club, the Writers' Club, and Sigma." [Sigma was a scholastic society for seniors; according to the College's yearbook for 1929, page 44, Aurelia had been elected to that society as a junior, an honor granted to one student per year. Graduation day was June 6.]
1932, September 13, p. 13: "B.U. Alumni Directors Meet This Evening" -- "Mrs. Aurelia S. Plath, '28, Jamaica Plain" is listed as one of two women representing College of Practical Arts and Letters alumni. Mrs. Plath was then pregnant with Sylvia, to be born on October 27.
New facts about Sylvia Plath's background and her mother Aurelia. By Catherine Rankovic
Aurelia Plath Biography
Tuesday, May 14, 2019
Thursday, May 9, 2019
Aurelia Plath's First Love
Austrian civil engineer Dr. Karl von Terzaghi was invited to the U.S. in 1925 to teach and establish a program at M.I.T. and, incidentally, to explain why new M.I.T. buildings on the Charles River banks had been sinking an inch per year. Terzaghi (1883-1963) founded two new sciences: soil mechanics (the physics and hydraulics of soils; he proved that soil types, like any other building materials, had principles) and foundational engineering, now called geotechnology. Terzaghi hired "Miss A. Schober" as his secretary in 1926 -- not 1927, as Aurelia has it in her introduction to Letters Home. That's where Aurelia, who never gave his name, wrote about:
". . .[w]orking at the close of my junior year (1927) for a professor at the Massachusetts Institute of Technology. He had a handwritten manuscript in German dealing with new principles of soil mechanics. As he had a publication deadline to meet, I usually worked into the early evening, so we often had dinner together before I left Boston for home. It was during these meals that I listened, fascinated, to his accounts of travel and colorful adventures, fully realizing that I was in the presence of a true genius in both the arts and sciences. I came away with my notebook filled with reading lists. . ." (6)
She wrote that this self-education would one day benefit her children, but that is not the whole story. The friendship ripened into love.
For two years they enjoyed the theater, museums, hikes, camping, gardens, evenings with Karl's faculty friends, dining and dancing, and conversation most of all. The above photo was taken in 1926, when Karl, 43 and divorced, Boston's most eligible bachelor, chose Aurelia Schober, 20, moved by her innocence, intelligence, and sensitivity. He took her to her junior prom at the Kenmore Hotel on May 13, 1927 and then at 4:00 a.m. in Winthrop ate the post-prom breakfast Aurelia's mother had left prepared for them with instructions, Austrian style. Terzaghi wrote about it in his diary. His 82 volumes of diaries are in Oslo. I learned where his diaries were by reading his biography. ("Aurelia's boyfriend has a biography?")
Shorthand transcription unlocked and confirmed his identity; he's the "Karl" in young Aurelia's lovelorn Gregg shorthand annotations in her copy of poet Sara Teasdale's Dark of the Moon. That book is in Sylvia Plath's personal library at the Lilly Library in Bloomington. Find the transcriptions here.
In 1928 Terzaghi left the U.S. for a prestigious engineering professorship in Vienna. Ten years later when the Nazis expelled his Jewish students and pressured him to work on the German Autobahn he returned to Boston, taught at Harvard and consulted worldwide. His legacy includes the Chicago subway system and the Aswan Dam, plus immortal equations and elegant problem-solving designs. In 1975 Bostonians in certain circles, or engineers, or Aurelia's college friends, could have guessed whom Aurelia was describing in Letters Home -- it's obvious, now that we know.
Their story is heartbreaking. For more of it, click here. Sylvia, taking her cue from her mother, married her own foreign-born male genius, Ted Hughes.
References: Karl Terzaghi: The Engineer as Artist (Goodman, 1998); Letters Home 1950-1963 (Plath, 1975); Norwegian Geotechnical Institute Terzaghi Library; Geoengineer.org; Wikipedia: Karl von Terzaghi (mentions Aurelia Schober, future mother of Sylvia Plath); Wikipedia: Ruth Terzaghi; Geotechnical Hall of Fame; American Society of Civil Engineers
". . .[w]orking at the close of my junior year (1927) for a professor at the Massachusetts Institute of Technology. He had a handwritten manuscript in German dealing with new principles of soil mechanics. As he had a publication deadline to meet, I usually worked into the early evening, so we often had dinner together before I left Boston for home. It was during these meals that I listened, fascinated, to his accounts of travel and colorful adventures, fully realizing that I was in the presence of a true genius in both the arts and sciences. I came away with my notebook filled with reading lists. . ." (6)
She wrote that this self-education would one day benefit her children, but that is not the whole story. The friendship ripened into love.
For two years they enjoyed the theater, museums, hikes, camping, gardens, evenings with Karl's faculty friends, dining and dancing, and conversation most of all. The above photo was taken in 1926, when Karl, 43 and divorced, Boston's most eligible bachelor, chose Aurelia Schober, 20, moved by her innocence, intelligence, and sensitivity. He took her to her junior prom at the Kenmore Hotel on May 13, 1927 and then at 4:00 a.m. in Winthrop ate the post-prom breakfast Aurelia's mother had left prepared for them with instructions, Austrian style. Terzaghi wrote about it in his diary. His 82 volumes of diaries are in Oslo. I learned where his diaries were by reading his biography. ("Aurelia's boyfriend has a biography?")
Terzaghi centennial stamp, Austria, 1983 |
Shorthand transcription unlocked and confirmed his identity; he's the "Karl" in young Aurelia's lovelorn Gregg shorthand annotations in her copy of poet Sara Teasdale's Dark of the Moon. That book is in Sylvia Plath's personal library at the Lilly Library in Bloomington. Find the transcriptions here.
In 1928 Terzaghi left the U.S. for a prestigious engineering professorship in Vienna. Ten years later when the Nazis expelled his Jewish students and pressured him to work on the German Autobahn he returned to Boston, taught at Harvard and consulted worldwide. His legacy includes the Chicago subway system and the Aswan Dam, plus immortal equations and elegant problem-solving designs. In 1975 Bostonians in certain circles, or engineers, or Aurelia's college friends, could have guessed whom Aurelia was describing in Letters Home -- it's obvious, now that we know.
Their story is heartbreaking. For more of it, click here. Sylvia, taking her cue from her mother, married her own foreign-born male genius, Ted Hughes.
References: Karl Terzaghi: The Engineer as Artist (Goodman, 1998); Letters Home 1950-1963 (Plath, 1975); Norwegian Geotechnical Institute Terzaghi Library; Geoengineer.org; Wikipedia: Karl von Terzaghi (mentions Aurelia Schober, future mother of Sylvia Plath); Wikipedia: Ruth Terzaghi; Geotechnical Hall of Fame; American Society of Civil Engineers
Wednesday, May 8, 2019
Aurelia Plath's Shorthand Transcriptions Have a Home
Aurelia Plath's shorthand annotations on the Lilly Library materials, cataloged and transcribed, are now available to all on the open-scholarship platform at Marquette University (my alma mater). The Excel files and short "keys" to each (PDFs) can be accessed and downloaded here. Take your time; there's a lot.
Marquette University Libraries digital librarian Heather James, herself a poet and Plath fan, welcomed the Aurelia Plath materials and skillfully uploaded the files. You must agree the Excel files are handsome and easy to use. Please credit Catherine Rankovic when referencing my work in your work. The Estate of Aurelia S. Plath granted me permission to release these transcriptions for scholarly purposes. Contact me at aureliascholar [at] gmail.com with questions re the shorthand.
Peter K. Steinberg kindly published a notice on his SylviaPlath.info blog that this project was ready.
I'm grateful that this project chose me. Currently I'm creating a chronology of Aurelia's life, gathering biographical information from every available source. It bears saying (because I've never heard it said) that Aurelia is an important key to Sylvia.
Marquette University Libraries digital librarian Heather James, herself a poet and Plath fan, welcomed the Aurelia Plath materials and skillfully uploaded the files. You must agree the Excel files are handsome and easy to use. Please credit Catherine Rankovic when referencing my work in your work. The Estate of Aurelia S. Plath granted me permission to release these transcriptions for scholarly purposes. Contact me at aureliascholar [at] gmail.com with questions re the shorthand.
Peter K. Steinberg kindly published a notice on his SylviaPlath.info blog that this project was ready.
I'm grateful that this project chose me. Currently I'm creating a chronology of Aurelia's life, gathering biographical information from every available source. It bears saying (because I've never heard it said) that Aurelia is an important key to Sylvia.
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