New facts about Sylvia Plath's background and her mother Aurelia. By Catherine Rankovic
Aurelia Plath Biography
Wednesday, December 27, 2017
Otto Plath's First Wedding
Below is Spokane in 1912, a boom year for that city, in a photograph from the Spokane Public Library.
As you know, Otto Plath's first marriage did not "take" and the couple separated without troubling to divorce. Otto got a divorce in Nevada in 1932 when he wanted to marry Aurelia Schober. Otto had been to Nevada; a notice in the Reno Gazette-Journal (16 September 1914, page 8): "Otto Plath of Berkeley is visiting Reno relatives for a few days." Why? Let's say he suddenly had been made to feel unwelcome in Berkeley in August. There's more to the story.
Tuesday, December 26, 2017
Sylvia Plath and Speedwriting
c. 1960s |
Sylvia Plath did learn a form of shorthand -- "Speedwriting," the "cn u rd ths" note-taking system invented in the 1920s by Emma B. Dearborn, a suicide, and persistently advertised for 50 years in the unglamorous back pages of Mademoiselle, but also in Popular Mechanics, Glamour, and Ebony: pretty much everywhere. Plath certainly saw these now-iconic ads; they ran in the August 1953 issue of Mademoiselle Plath had guest-edited. Mademoiselle had the last word, printing in September 1977 the latest Speedwriting ad I could find. It said, in plain block letters, "Yes, I went to college. But Speedwriting got me my job."
And so it was with Smith and Cambridge graduate Sylvia Plath who couldn't get her secretarial job at Harvard in 1959 without it. I wrote a paper, "Sylvia Plath and Speedwriting," that goes into depth about the topic. It includes the history of Emma Dearborn, her invention of Speedwriting and why it became big business, when and where Sylvia learned and used Speedwriting, and why she wanted to use it again while living in London. There are no known examples of Sylvia's Speedwriting, but some might yet be discovered.
Shorthand and 1950s office practice and office machines will always be relevant in Plath studies, as they were in her life. Plath's clerical and secretarial skills -- typing poetry manuscripts, keeping track of submissions, filing carbon copies, answering editors' letters -- were essential to Plath's career and her husband's. My paper was published in Plath Profiles, vol. 11, 2019.
Monday, December 25, 2017
The First-Ever Aurelia Panel
I'm not saying Plath loved or used all her mother offered. We don't know, right now, what her mother offered. Plath burned her mother's letters. Like any daughter Plath worked against her mother's influence as much as with it. But you can't do either without first having a mother who has influence.
Bolstered by the new Volume One of Plath's complete letters, most of them to Aurelia and her family, the Aurelia panel provided Plath biographical scholarship with much-needed corrective lenses. We have liked to believe with the Romantics that artists create themselves and their work independent of their contexts, cultures and families. But those provide the support and friction that help a born artist become a consummate and pathbreaking artist.
Saturday, October 7, 2017
Which Shorthand Did Aurelia Teach?
Friday, October 6, 2017
Doing the Numbers
Mrs. Plath wrote her Gregg shorthand annotations on letters and/or their envelopes -- very often on their envelopes. She was careful not to overwrite or deface any of Sylvia's letters (except the two black-marker redactions we can see in The Letters of Sylvia Plath, volume 2).
Of the Gregg shorthand instances, many relate to Aurelia Plath's editing of Letters Home in 1973-74. These, always in margins, are "typed" or "excerpted" or "omit" or "used."
Of the Gregg shorthand instances, two were so vigorously erased as to be illegible, but they are recognizable as Gregg shorthand.
Mrs. Plath made many more annotations in longhand on the correspondence than she made in shorthand.
Wednesday, September 20, 2017
Otto Plath as a Husband
"I loved [my parents] and took them for granted--after all, I knew nothing else but that we were close, enjoyed each other, which I thought was the essence of most family life. Oh, what hard lessons lay ahead--what shocking, terrifying revelations. My husband never knew love in his family; I was ready to share all of mine with him. I never witnessed jealousy before, distrust, possessiveness--all augmented through untreated diabetes that I did not know existed within him. On the outer personality, high idealism, honesty--oh, well, why dig into the past? It would take forever to give a complete picture and then who ever knows another completely or is competent to judge. The thing to do is remember what was good and go on with that."
Sylvia Plath must have witnessed a jealous, distrustful, possessive marital dynamic in her family home -- born as she was 10 months after her parents' wedding. That could explain a lot.
"Medusa's Metadata" - Plath Conference Paper
The transcriptions include Mrs. Plath’s most urgent and personal responses to her daughter’s needs, marriage, suicide, and posthumous fame; bitter negotiations with Ted Hughes over the U.S. publication of The Bell Jar; and detail Mrs. Plath’s role as curator of her daughter’s correspondence: with friends (“Share with Gordon if the time is right,” 30 August 1954), family (“Do not let Mother [Granny] see this!” 2 February 1956) and ultimately the public (Letters Home, 1975). That role does not end with the publication of two volumes of The Complete Letters of Sylvia Plath. In fact, Mrs. Plath is that collection's first cause.