Showing posts with label sylvia plath's father poems. Show all posts
Showing posts with label sylvia plath's father poems. Show all posts

Tuesday, September 19, 2023

Prussia? What Does It Mean?

Sylvia Plath’s father was born in 1885 in Prussia, in the German Empire, and those are two separate things, and “Germany” a third. Let this map explain Otto Plath’s Prussia and maybe Sylvia’s references to it.

 

Otto was born to German parents and grew up in the area the map labels “Posen,” territory Prussia had seized from Poland.

The component parts unified as the “German Empire” in 1871, and for 40-plus years the Empire looked like this (Prussia in green):

Prussia was the Empire's biggest, richest, most productive state because 1) Its government and military had long been organized while other states suffered the whims of kings and dukes, and 2) Rather than exterminate Jews, Poles, and other ethnic groups, Prussia had them work to build a better Prussia, with hospitals, industry, a thriving middle class, welfare and so on. Prussia hand-picked the best and made them bureaucrats and officers so none could fight Prussia without fighting their own.

 

When Sylvia referred in the poem “Little Fugue” to her father’s “Prussian mind” she meant strict, focused, righteous, keen and authoritarian. Her admiration included some fear. Otto yelled a lot. It was his way or no way. She called this “Prussian” and “German” behavior, as we might, but that is only partly correct.

 

The German Empire’s first chancellor, Otto von Bismarck, decided to model the whole German Empire on successful Prussia and its values – with one exception. Because the Empire ought to be German only, non-Germans such as Jews, Poles, and Russians were to be Germanized or forcibly marched over the borders and out.

 

That’s not authoritarian; that’s totalitarian.

 

That wasn’t “Prussian”; rather, it was Teutonic, referencing the Crusaders who around 1250 C.E. – their flag was black and white – did God’s will and crushed the North Baltic pagan Prussians, and imposed their rigid, exacting, Christian monastic and male-dominated culture. Its advantage: Nobles were no better than anybody else.

 

Bismarck’s expulsions destabilized the new Empire and the rest of Europe labeled Germans evil and barbaric, and an estimated 1.5 million citizens and residents, including Prussian-educated Otto, fled the Empire for the United States.

 

You know the rest. The Empire within 40 years lost a war, shrank to an impoverished “Germany,” and Prussia (no relation to Russia) went extinct; it hasn’t been on a map since 1918. New borders made Otto’s birthplace, Grabow, suddenly a Polish town. On at least one document Otto gave his birthplace as Poland.

 

Understandable that Sylvia Plath and The Bell Jar's “Esther Greenwood” and the speaker of “Daddy” had only a general idea of where their father came from.

Tuesday, June 7, 2022

See Aurelia In These Two Rare Educational Videos, Now Online


I am pleased to provide (at last!) access through these private links to two made-for-television videos, produced in 2000 for the "Sylvia Plath" segment of The Poets of New England series. They include rare footage of Aurelia Plath. At the time she was filmed (1986) Aurelia was 80 years old, and you bet she gets her say about how Sylvia's poetry creatively transformed her parents, Otto and Aurelia, into figures with the stature of myth.

Dr. Richard Larschan, professor of English and Aurelia's good friend, wrote and narrates these well-wrought 28-minute films woven through with Sylvia's image and recorded voice. 

-The "Monstrous Mother" video interprets "Medusa" ("that stinking poem," Aurelia says), "The Disquieting Muses," "Morning Song," "Kindness," and a portion of "Three Women" which Aurelia recites from memory and savors. 

-The "Omnipresent/Absent Father" features "Ballad Banale," "The Colossus," "Electra on Azalea Path," "Daddy," and the graveyard scene from The Bell Jar. Aurelia appears mostly in this video's first few minutes. Sylvia demonstrated intense creativity as she tried in each poem to articulate her mixed feelings about her father and his early death. Note that for the purpose of this video Sylvia's recording of "Daddy" has been abridged.

I think you'll be surprised, especially by the "Monstrous Mother" video.

These videos are not public. They are available online only through this site. I did not want YouTube ads posted on them. I wanted to preserve for online study the contents of these videos still otherwise confined to VHS format [pictured] and did the transfer at my own expense. Please do not copy, sample, embed, or alter these videos. Thank you.

*Sylvia Plath and the Myth of the Monstrous Mother

*Sylvia Plath and the Myth of the Omnipresent/Absent Father