During her college years in the 1920s, The Boston Herald daily newspaper, relying on press releases from the student Press Club at Boston University's College of Practical Arts and Letters, mentioned Aurelia Schober more often than one might imagine. It was not unusual for students to have so many extracurricular interests. The surprise is that Aurelia had such a high profile.
1926, May 25, p. 31: "B.U. Writers' Club Elects Officers" -- Aurelia Schober, elected Writers' Club vice-president, was also "president of the college German Club, and is well known for her ability in dramatic work."
1927, February 3, p. 28: "B.U. German Club to Present Play" -- "Miss Aurelia Schober of Winthrop has been assigned the leading part of Strubel in Sudermann's play "Die Ferne Prinzessin," to be produced by the German Club of the Boston University College of Practical Arts and letters Friday night, in place of Miss Emmi Koster of Hamburg, Ger., who is ill." [In this one-act comedy, "Strubel," a male poet, declares his hopeless love for a princess to a male who is actually the princess in disguise.]
1927, May 23, p. 4: "Who's Who in B.U. Yearbook" -- Under "Senior Honors" bestowed by peers at the College of Practical Arts and Letters, Aurelia Schober ranked third in the category "Busiest," second in the category "Most Studious," and first in the category "Class Dictionary."
1928, May 25, p. 3: "Miss Schober to give B.U. Class Valedictory" -- ["Class" means College of Practical Arts and Letters, class of 1928.] Besides being valedictorian, Miss Schober "was editor-in-chief of the junior yearbook, and has served as president of the German Club, and as a member of the student government board, the English Club, the Writers' Club, and Sigma." [Sigma was a scholastic society for seniors; according to the College's yearbook for 1929, page 44, Aurelia had been elected to that society as a junior, an honor granted to one student per year. Graduation day was June 6.]
1932, September 13, p. 13: "B.U. Alumni Directors Meet This Evening" -- "Mrs. Aurelia S. Plath, '28, Jamaica Plain" is listed as one of two women representing College of Practical Arts and Letters alumni. Mrs. Plath was then pregnant with Sylvia, to be born on October 27.
New facts about Sylvia Plath's background and her mother Aurelia. By Catherine Rankovic
Aurelia Plath Biography
Showing posts with label sylvia plaths mother. Show all posts
Showing posts with label sylvia plaths mother. Show all posts
Tuesday, May 14, 2019
Thursday, May 9, 2019
Aurelia Plath's First Love
Austrian civil engineer Dr. Karl von Terzaghi was invited to the U.S. in 1925 to teach and establish a program at M.I.T. and, incidentally, to explain why new M.I.T. buildings on the Charles River banks had been sinking an inch per year. Terzaghi (1883-1963) founded two new sciences: soil mechanics (the physics and hydraulics of soils; he proved that soil types, like any other building materials, had principles) and foundational engineering, now called geotechnology. Terzaghi hired "Miss A. Schober" as his secretary in 1926 -- not 1927, as Aurelia has it in her introduction to Letters Home. That's where Aurelia, who never gave his name, wrote about:
". . .[w]orking at the close of my junior year (1927) for a professor at the Massachusetts Institute of Technology. He had a handwritten manuscript in German dealing with new principles of soil mechanics. As he had a publication deadline to meet, I usually worked into the early evening, so we often had dinner together before I left Boston for home. It was during these meals that I listened, fascinated, to his accounts of travel and colorful adventures, fully realizing that I was in the presence of a true genius in both the arts and sciences. I came away with my notebook filled with reading lists. . ." (6)
She wrote that this self-education would one day benefit her children, but that is not the whole story. The friendship ripened into love.
For two years they enjoyed the theater, museums, hikes, camping, gardens, evenings with Karl's faculty friends, dining and dancing, and conversation most of all. The above photo was taken in 1926, when Karl, 43 and divorced, Boston's most eligible bachelor, chose Aurelia Schober, 20, moved by her innocence, intelligence, and sensitivity. He took her to her junior prom at the Kenmore Hotel on May 13, 1927 and then at 4:00 a.m. in Winthrop ate the post-prom breakfast Aurelia's mother had left prepared for them with instructions, Austrian style. Terzaghi wrote about it in his diary. His 82 volumes of diaries are in Oslo. I learned where his diaries were by reading his biography. ("Aurelia's boyfriend has a biography?")
Shorthand transcription unlocked and confirmed his identity; he's the "Karl" in young Aurelia's lovelorn Gregg shorthand annotations in her copy of poet Sara Teasdale's Dark of the Moon. That book is in Sylvia Plath's personal library at the Lilly Library in Bloomington. Find the transcriptions here.
In 1928 Terzaghi left the U.S. for a prestigious engineering professorship in Vienna. Ten years later when the Nazis expelled his Jewish students and pressured him to work on the German Autobahn he returned to Boston, taught at Harvard and consulted worldwide. His legacy includes the Chicago subway system and the Aswan Dam, plus immortal equations and elegant problem-solving designs. In 1975 Bostonians in certain circles, or engineers, or Aurelia's college friends, could have guessed whom Aurelia was describing in Letters Home -- it's obvious, now that we know.
Their story is heartbreaking. For more of it, click here. Sylvia, taking her cue from her mother, married her own foreign-born male genius, Ted Hughes.
References: Karl Terzaghi: The Engineer as Artist (Goodman, 1998); Letters Home 1950-1963 (Plath, 1975); Norwegian Geotechnical Institute Terzaghi Library; Geoengineer.org; Wikipedia: Karl von Terzaghi (mentions Aurelia Schober, future mother of Sylvia Plath); Wikipedia: Ruth Terzaghi; Geotechnical Hall of Fame; American Society of Civil Engineers
". . .[w]orking at the close of my junior year (1927) for a professor at the Massachusetts Institute of Technology. He had a handwritten manuscript in German dealing with new principles of soil mechanics. As he had a publication deadline to meet, I usually worked into the early evening, so we often had dinner together before I left Boston for home. It was during these meals that I listened, fascinated, to his accounts of travel and colorful adventures, fully realizing that I was in the presence of a true genius in both the arts and sciences. I came away with my notebook filled with reading lists. . ." (6)
She wrote that this self-education would one day benefit her children, but that is not the whole story. The friendship ripened into love.
For two years they enjoyed the theater, museums, hikes, camping, gardens, evenings with Karl's faculty friends, dining and dancing, and conversation most of all. The above photo was taken in 1926, when Karl, 43 and divorced, Boston's most eligible bachelor, chose Aurelia Schober, 20, moved by her innocence, intelligence, and sensitivity. He took her to her junior prom at the Kenmore Hotel on May 13, 1927 and then at 4:00 a.m. in Winthrop ate the post-prom breakfast Aurelia's mother had left prepared for them with instructions, Austrian style. Terzaghi wrote about it in his diary. His 82 volumes of diaries are in Oslo. I learned where his diaries were by reading his biography. ("Aurelia's boyfriend has a biography?")
Terzaghi centennial stamp, Austria, 1983 |
Shorthand transcription unlocked and confirmed his identity; he's the "Karl" in young Aurelia's lovelorn Gregg shorthand annotations in her copy of poet Sara Teasdale's Dark of the Moon. That book is in Sylvia Plath's personal library at the Lilly Library in Bloomington. Find the transcriptions here.
In 1928 Terzaghi left the U.S. for a prestigious engineering professorship in Vienna. Ten years later when the Nazis expelled his Jewish students and pressured him to work on the German Autobahn he returned to Boston, taught at Harvard and consulted worldwide. His legacy includes the Chicago subway system and the Aswan Dam, plus immortal equations and elegant problem-solving designs. In 1975 Bostonians in certain circles, or engineers, or Aurelia's college friends, could have guessed whom Aurelia was describing in Letters Home -- it's obvious, now that we know.
Their story is heartbreaking. For more of it, click here. Sylvia, taking her cue from her mother, married her own foreign-born male genius, Ted Hughes.
References: Karl Terzaghi: The Engineer as Artist (Goodman, 1998); Letters Home 1950-1963 (Plath, 1975); Norwegian Geotechnical Institute Terzaghi Library; Geoengineer.org; Wikipedia: Karl von Terzaghi (mentions Aurelia Schober, future mother of Sylvia Plath); Wikipedia: Ruth Terzaghi; Geotechnical Hall of Fame; American Society of Civil Engineers
Thursday, July 18, 2013
Aurelia's Journals
I pinpointed a primary and secondary source mentioning Aurelia Plath's journals. In Jacqueline Rose's book The Haunting of Sylvia Plath (1991), in a chapter called "The Archive," on page 81, Rose writes, "As Aurelia Plath put it in an interview conducted in 1976, she had herself wanted to be a writer but didn't feel she could expose her children to the uncertainty of a writer's life." [Footnote 61].
The footnote said this interview is by Linda Heller, and titled "Aurelia Plath: A Lasting Commitment," received by Smith College, 24 February 1976. It adds, "Aurelia's notes for a talk on 16 March 1976 to the Wellesley College Club were in part based on the journal she kept at that time."
This footnote does not make it clear whether that information appears in the interview, or whether the interview was published ("received" is not "published"), and it isn't clear whether the journal referred to was a 1976 journal or earlier. The notes for the talk are at the Mortimer Library, Smith College.
Reference to a journal is echoed in a book by Luke Ferretter, Sylvia Plath's Fiction (2010), page 12, except in the body of the text, not as a footnote, and specifies the journal is from 1962:
Aurelia kept a journal (calling it a diary); she says so in Letters Home. She quotes her entry of August 3, 1958, on page 348 of the Harper & Row hardback. Her diaries from 1958 and especially 1962 would be an amazing resource; I wonder where they are, and if they are in shorthand, or partly so, and whether that is what keeps them obscure.
The footnote said this interview is by Linda Heller, and titled "Aurelia Plath: A Lasting Commitment," received by Smith College, 24 February 1976. It adds, "Aurelia's notes for a talk on 16 March 1976 to the Wellesley College Club were in part based on the journal she kept at that time."
This footnote does not make it clear whether that information appears in the interview, or whether the interview was published ("received" is not "published"), and it isn't clear whether the journal referred to was a 1976 journal or earlier. The notes for the talk are at the Mortimer Library, Smith College.
Reference to a journal is echoed in a book by Luke Ferretter, Sylvia Plath's Fiction (2010), page 12, except in the body of the text, not as a footnote, and specifies the journal is from 1962:
Aurelia kept a journal (calling it a diary); she says so in Letters Home. She quotes her entry of August 3, 1958, on page 348 of the Harper & Row hardback. Her diaries from 1958 and especially 1962 would be an amazing resource; I wonder where they are, and if they are in shorthand, or partly so, and whether that is what keeps them obscure.
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