Showing posts with label did sylvia plath suffer. Show all posts
Showing posts with label did sylvia plath suffer. Show all posts

Tuesday, June 20, 2023

What Is a Traumatic Death?

Would you agree that a death (which is always a loss) is an especially traumatic loss if:


·      it occurs without warning

·      is untimely

·      involves violence

·      there is damage to the loved one’s body

·      the survivor regards the death as preventable

·      the survivor believes that the loved one suffered

·      the survivor regards the death, or manner of death, as unfair and unjust [1]

 

If you agree that any sudden needless untimely death, especially your child’s, is particularly grievous, then imagine Aurelia Plath’s grief after her daughter Sylvia died, overseas, at age 30. Told at first that Sylvia died of pneumonia, Aurelia learned days later that it was suicide, and son Warren told Aurelia the context and the details.

 

Aurelia wrote a brief angry note to a London newspaper that says those responsible for Sylvia’s death “know who they are.” She did not mail it, but kept it; it’s in archives. For future readers of this unsent letter, Aurelia added the initials of the suspect parties.

 

I can’t find in Sylvia Plath studies any respect or allowance for Aurelia’s trauma and grief. Her trauma would be as severe and multidimensional as ours if authorities phoned right now to say they found our child dead by suicide on a kitchen floor.

 

Rather than empathy (meaning, feeling what others feel) or sympathy (saddened by what others must be going through), Plath biographies and essays imply that Sylvia’s U.S. death notices – few and short because Sylvia wasn’t famous yet -- do not say “suicide” because prim Aurelia hoped to hide the real cause. No reason besides her personal character flaw.

 

We will be called to account for our assumptions.

 

Studies of mothers whose children died by suicide say mothers have not only the grief of suddenly losing a child but a burden of guilt, and, on top of that, they are judged. Even people who know suicide is never simple still suspect that a young suicide’s parents did not love them enough or in the right way, or were not prescient enough, or present enough, to stop them.

 

Aurelia in 1963 sent Sylvia’s friend Elizabeth Compton a note that was less about Sylvia than Aurelia’s own grief. Compton was offended and later sent Aurelia’s letter to a biographer as an example of Aurelia’s true personality. In summer 1963 Aurelia went to England. Her son-in-law, unable to think of any good reason a parent might want to visit their dead child’s former home and grave and children, thought Aurelia was coming for an “investigation.” And that she might dump too much love on her grandchildren. Remember he too was bereaved, as were the grandchildren.

 

Sylvia’s readers sympathize with her loss of her father and how his death changed her. It would be a truer picture if we saw that his death disrupted and changed her whole family. Sylvia’s 1953 suicide attempt shocked and terrified them. Aurelia wrote that she dreaded a recurrence. For her and her son 1963 was the second time around, only worse. Two families became survivors of a suicide and to this day they have not heard the end of it.

 

The National Alliance on Mental Illness says each suicide directly affects about 115 people and one in five (=23)  are devastated.

 

Living in a time of epidemic suicide we know that survivors of traumatic loss might cope by saying or writing tasteless vengeful unhinged or sentimental things, or frame the death as a murder, point fingers, or try everything to fix or explain it and never heal. A percentage will commit suicide themselves. Sylvia’s traumatic death very obviously colored all that occurred afterward, not much of it worth celebrating.

 

Sylvia suffered. But so did her family.

 

[1] “Traumatic Bereavement: Basic Research and Clinical Implications,” M. Barle, C. Wortman, J.A. Latack, 2017.

Tuesday, January 4, 2022

Sylvia Plath's Poem "Daddy" in 2022

Here are four things to know when the topic of your essay or lesson plan in 2022 will be Plath’s poem “Daddy”: 

1. 

My Friend, My Friend

(for M.W.K., who hesitates each time she sees a young girl wearing The Cross)

Who will forgive me for the things I do?
With no special legend of God to refer to,
With my calm white pedigree, my yankee kin,
I think it would be better to be a Jew.

I forgive you for what you did not do,
I am impossibly guilty. Unlike you,
My friend, I can not blame my origin
With no special legend or God to refer to.

They wear The Crucifix as they are meant to do.
Why do their little crosses trouble you?
The effigies that I have made are genuine
(I think it would be better to be a Jew).

Watching my mother slowly die I knew
My first release. I wish some ancient bugaboo
Followed me. But my sin is always my sin.
With no special legend or God to refer to.

Who will forgive me for the things I do?
To have your reasonable hurt to belong to
Might ease my trouble like liquor or aspirin.
I think it would be better to be a Jew.

And if I lie, I lie because I love you,
Because I am bothered by the things I do,
Because your hurt invades my calm white skin:
With no special legend or God to refer to,
I think it would be better to be a Jew.

-Anne Sexton wrote this poem, first published in Antioch Review in 1959. Sylvia Plath probably saw one of its earlier drafts in the poetry-writing seminar Plath and Sexton attended in 1959, or maybe Plath read it in the Antioch Review, in which Plath published a poem in 1961. Sexton did not include this poem in any of her books, so it is not in Sexton’s The Complete Poems volume (1981), but is in Selected Poems of Anne Sexton (1988). “M.W.K.” is Sexton’s poet friend Maxine Kumin, who was Jewish.

 2.

“In Russia I was often asked why Plath had taken her own life, and I outlined all I knew—the adultery, the two children, the freezing cold, her history of depression—and was met with incredulity. Against these Russians’ desperate history of slaughtered millions, her misery seemed almost childish, and they had no belief in Freudian theory. They were missing, as perhaps Plath intended that they should, the pain that went to the very center of her fragmented self.”

 

-Elaine Feinstein (1930-2019), British poet, novelist, translator and biographer of the Russian poet Marina Tsvetayeva. The above is the concluding paragraph of “A Close Reading of ‘Daddy’,” an essay available in full here on the British Library website.

 

3. 

Plaths friend Clarissa Roche wrote in a memoir, Sylvia Plath: Vignettes from England, published in Sylvia Plath: The Woman and the Work (1977) that on a visit to Sylvia in November 1962, Sylvia read her a new poem, Daddy,” and both women laughed and laughed.


4.

Consider how a neo-Nazi might respond to Daddy, neo-Nazis being fairly common now, as they were not when the poem was written 60 years ago.

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