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| Pledge of Allegiance in 1941 |
Sylvia Plath wrote an essay in January 1963 about her "rowdy seaside town where I picked up, like lint, my first ten years of schooling," intending to sell the work to the British humor magazine Punch; she was at her most desperate for money and lived only three more weeks. Titled "The All-Round Image" and published as "America! America!" it is a lyric essay: loosely autobiographical and low on dialogue and anecdotes. Although Plath took nothing lightly, she provided the type of humor she knew: satire, meaning "ridicule with intent to improve." The Bell Jar is satirical, and approaching the novel as such reveals how much Plath was making fun of her avatar Esther.
So in writing about her "first ten years of schooling" in her hometown, Plath exaggerated, simplified, belittled, and undercut ("the lot of us" at school were "a lovely slab of depressed American public"), to amuse. She wrote, "Every morning, hands on hearts, we pledged allegiance to the Stars and Stripes, a sort of aerial altarcloth over teacher's desk." I love the spot-on phrase "aerial altarcloth." Except Plath and her classmates never did "hands on hearts" in school in seaside Winthrop, which she and her family left in autumn 1942. In a detail too horrid to be funny, and that I'd never seen or heard of, from the time the Pledge of Allegiance was imposed on U.S. public schools (around 1890) an extended-arm salute went with it.
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| Pledge of Allegiance with full Bellamy salute |
This was the "Bellamy salute," standard with the Pledge of Allegiance until December 1942, when Congress for good reason replaced the gesture with "hand on heart." Charles Lindbergh was photographed in 1941 giving the Bellamy salute, and with the flag cropped out of the photo looked as if he was saluting Nazi Germany. His reputation never recovered. I mention this because Aurelia and Sylvia Plath both did this, and I expect, in the U.S., the Bellamy salute's revival.